Week 10-14: Hip Hop

Hip Hop and the Globalization of American Popular Culture
Weeks 10-14
-The transnational roots of Hip Hop in the South Bronx.
-The globalization of hip hop in Latin America, the Caribbean, Africa, and Asia.

11/3 Robin D. G. Kelley (2006), The Vinyl Ain’t Final, Forward (xi-xvi).

Tony Mitchell (2001), Global Noise, Introduction: “Another Root-Hip Hop outside the USA,” (1-12).

 

11/5 Tricia Rose (1994), “Flow, Layering, and Rupture in Postindustrial New York,” Rap Music, (191-219).

11/10 Rose, continued. IVY QUEEN

https://brooklyncollege.zoom.us/rec/share/3L2MqelCD8VRYEwovS6ekqwCqfqgp2qm0K4IdnvV9bZohTAfMG-tlI2NWnd4bXpq.7UQgE3Lq9EZeIwho

https://www.youtube.com/watch?v=zEmg5GaAHbk&feature=emb_logo

11/12 Jillian M. Báez, “‘En mi imperio’: Competing discourses of agency in Ivy Queen’s reggaetón,” CENTRO Journal, Vol 13 No. 11, (63-81).

https://brooklyncollege.zoom.us/rec/share/gw6LIC9CfnazWRctoRNQC5kAJrXOu840xDpTDadeUyn2WYKwUQq9XQ0UwBPZVE7k.VIg7zI6dnPen2a_H

11/17 Eun-Young Jung (2014), “Transnational Migrations and YouTube Sensations: Korean Americans, Popular Music, and Social Media,” Ethnomusicology, Vol. 58, No. 1, (54-82).

https://brooklyncollege.zoom.us/rec/share/kkvHsOplruwYI1D8Ee4EKJ2QgiUfLXkn8Ug4-LKwpi9RTECaT38whkl1V_tnJops.FNk8vW917SOv2dYx

11/19 Jung, continued. Writing workshop
https://brooklyncollege.zoom.us/rec/share/UT02Y3J478stkd70g6kJ42YTDFTYsuHzOIoYLmelZtOLP9uzP8GDeXP3FVpk0S95.ghRe3yE-0wCU2YtB

11/24 Zine Magubane (2006), “Globalization and Gangster Rap: Hip Hop in the Post-Apartheid City,” The Vinyl Ain’t Final, (208-229).
https://brooklyncollege.zoom.us/rec/share/WWRDvzcXc7mQOCv0S-hj2S7ENkKa27sAexuGhfa9LhRWXA0dUvfA2fO77v5cmv_0.oEYR1SkY_kV1nQmh

Download lecture slides.

12/1 Magubane, continued.
https://brooklyncollege.zoom.us/rec/share/rrNMiTy2n7FRTBsp6dmOCwOH7gFi5NTSOPXDTVzYO5md7uZHLE3qGu84nZB24Gpg.h_6JQC7ktr40zcAv

12/3 Melissa Ursula Dawn Goldsmith & Anthony J. Fonseca (2013), “Bhangra-Beat and Hip-Hop: Hyphenated Musical Cultures, Hybridized Music,” Crossing Traditions: American Popular Music in Local and Global Contexts, Ed. Babacar M’Baye & Alexander Charles Oliver Hall, (157-174).

 

 

 

 

12/8 Goldsmith & Fonseca, continued. Assignment five writing day.

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